Just press play to see how it works a little bit does it be loud. Loud. I'm still gonna be loud is there anything how do the music. How i lower the uh.

The sound of the whole thing uh. No no uh actually go to file. Yeah and then oh no it's actually options options options options options audio settings. All right let me see what you have there oh yeah yeah press device change it to uh primary sound driver device where on the top primary sound.

Yeah and uh yeah that should be fine press press play now hide it uh unstream. It and then stream again. I could just do application. Then yeah.

There you go it works now. If volume is right to the left of that uh that little slider right there top left. Yeah. That's that's master volume.

So if you ever want to go back okay so like look at the see on the right side that's the arrangement board. Okay. That's like that's like uh. Yeah.

That's the board okay double click madonna madonna vocal two you see that double click yeah double click it you see that yeah. No that's the sample that's the file then how do i play that only or if you can just click the audio clip on the bottom. But don't worry well i want to hear it okay. Just press.

Spacebar or stop. That's fine. So. Why is it sounds.

Weird. Oh. It's because you could say. Yes.

Yes. Yes. Okay. So.

I know. It's gonna sound. Confusing and a lot at once everyone's going to think so but you're i know you're smart. So you'll you'll figure it out fast.

So yeah double click the vocal again yeah and double see how it's on track. Two yes. Yes. It's on track two click double click that now this is the the mixer.

This is the main you know i'm saying kind of like the main now if you see the left side. You see the master. Yeah everything roots to the master. One two three four five six seven all this stuff.

These are different channels. He has the for example his vocals on two just just look at that now right i know it's a lot these are the layers that are visual. But these are visualized uh more uh yeah on the right side visually visually. See the storyboard type of thing.

And but the mixer is uh is like the heart of it so so all of this is actually this is visual. Yes yeah. It's visualized okay yeah. But each of those are going at different channels and each channel like for example.

I get it i see the right side look at the right side. It has picture has compressors so limiter all the stuff reverb for the vocals. So the main vocal was one right so if i wanted to put it down it would be the same songs. If she would be sure.

If she wouldn't be as loud yes right okay all right so. Now we're gonna go baby step mode okay top left file yeah file yeah and uh file a new. I don't i don't see you in the slide down. So i look at your stream hold on no advantage.

808 with limiter. There you go. And no. Just uh.

Yeah. Yeah. Do no okay or that okay okay. So first things.

First. Let's uh. You look around okay. You have the oh look at this the channel rack on the middle that's the rack of instruments.

That's your instruments and sounds and samples in there over here. Like this uh. No no no uh left side where it says 808 kick 808. Clap hi hat yeah stuff like that uh click the kick right and the click is selected and then click like on your keyboard like comma dot or dot would be uh uh.

Which one is the c note c. Note is the main note c. You wanna do c. So my keyboard is now a keyboard.

Yeah. Your keyboard's a keyboard. Okay okay. Q.

Is is the main note. Okay. What's up okay. Now what all right so.

Now uh. You see the the the dots or next to it on the right of it on 808 kick put some fill it in fill in fill in some of that the dots. These the dots yeah yeah put in some of that okay. This is one way to do it.

But this is the noob way uh. I'm gonna show you the better way right away okay yeah okay so see how you filled those in yeah. And yeah. But i don't know which one though i don't know which one which one's filling excuse.

Me uh just fill it in and press play oh. So you would oh you know so you do. A letter. Then fill then another letter.

See how it changes colors every four notes yes. That's one two three four one two three four okay and at the top you're at 130 bpm that's how beats per. That's what the beats per minute you're at okay so you're at 130 bpm. I don't know how fast.

It is that's pretty fill in every four fill in every four every four you fill in or every uh every five. Yeah. No no no just okay right click. The 808 kick.

Oh. Like this okay you can do that do that it sure okay. Now see how he says on the middle top. It says pattern one middle top middle top yes.

It says yeah. This is pattern. One leave it like that that's that's called your kick. Now.

This is your kick. See on the right side arrangement now click it in there just click left click inside of there boom okay yeah that's your kick that's your kick bar now no no no put it back to normal size put it back to its normal size and move it to the left. I'm gonna remove it and do it again because i'm scared. I it up like that okay yeah.

Now look at the top left. Okay. I need to do something. Though.

How do i know what sound this is making it wait is it boom with the beam. So you click you click so you have it yellow. The yellow square. There means you have it selected so if you press q.

It's going to do the sound for you right let's get tested now click on the hi hat or snare and test. The same thing. Okay. Just press space.

One time you should move the kicks to the beginning. It sounds like it's on beat right now. But it's starting actually on the fourth. So if you were to do anything else.

It's gonna be it's gonna be off so oh you know what i'm saying no say it again. Oh. The top line move it all to the uh. No no keep it there keep the pattern.

There the the ones you filled in put it on the yes left side. There just delete those and fill up the first one not the fourth ones. Sorry. The fifth ones.

No the first one not the fourth ones. Oh yes. Yeah. That way okay.

There you go boom. Perfect. Okay. Now you're on b.

Now. You're on beat with the metronome for example put it there now usually you want to separate. Most things like different patterns right like usually you want to separate the pattern already better like you could do it this way. This is like the noob away right yeah.

But right there top left the on pattern. I mean top right or top middle. Sorry sorry. Pattern.

One press a little plus yeah make a new one and then now just do the claps right and put it under your other arrangement on the right side. I know it's dank and i'm talking too much i'm sorry. But so there's a pattern to your parents. I do something else right yeah.

Yeah put something else there put not kicks. No no do the collapse. Now do claps now. I already did the clapping.

Okay. No no you didn't do the question. Because you you delete the claps off the first channel to use the other page. Now when i put it i layer.

It right there i layer. It yeah. Yeah perfect. Now if you press.

So now look at the top left next to space you see pattern and you see song song is going to play. The range top left top left next to the play. Yeah. Yeah.

You want song because it's going to play the arrangement. Oh. It's going to come behind the layers. Yes.

If you have pattern. It's just going to show that one thing one layer. I make a new one to put that snare in there okay okay um. Okay.

Uh a pattern three three uh okay. I'm gonna i'm gonna do some snare. What is this what does the sound sound like it sounds. Like um uh.

This is this is the thirst song uh. Blank space. No i know you like the new drake. You want to copy him now like okay hold up hold up what if i do doubles.

What does that sound like it's not an arrangement watch us sqcl. I'm going to teach you how to side. I'm going to teach them how to change you're going to make your own melody. Now you want to make your own melody.

Yeah. Yeah. I like doing that so let's go to uh. Appreciate you bought the expensive fl.

So you should have yeah. It was 800 bucks. This piece of dog you should have some like basic ass uh piano presents top left right add uh you can add some plugins. Okay.

You're gonna add a plugin top left. Let's add um mino top left uh on the like next. File. Edit.

Add file. Add your ad. Add. And then add yourself list and put.

Like uh. What's a good starter. One guys harmer like uh. What's the good starter one i mean maybe fl keys just to start.

But there's cool nah hold on hold on citrus go it go citrus chest chest is flex citrus. What is that i don't see it okay try wait let me try flex. Oh. I think flex is a new one.

What is this oh triflex yeah. Try flex where's it i don't see it maybe bottom left area. I've never seen this before okay so i have to figure out. Oh.

My god so many knobs man man knobs are you'll understand over time. Okay. Oh. That makes sense okay music.

Pokemon. So. Now let's make a new pattern x. Okay.

Oh. I see over there. I said. I learned here.

Yeah. Let's make something like that better okay. So no don't fill those in on the top do pattern. Four.

Now click on the plus oh wait patterns okay now you're gonna go next level mode. Okay. Yeah yeah still x the better mode of the thing so no right right click. Now flex on the left side sorry on the list under 808 snare uh.

Yeah yep yep right click it and now do piano roll and it's already in click it boom. All right. C4. Is the starter note right okay ooh.

Okay. Yeah. Yeah. Yeah.

Yeah. I think c. It's. Oh c5.

Is the is the base note to test the instrument. It's too it's too sinister. How do i lighten up the mood. A little bit lighten up go through the presets on the on there yeah scuffed up something you like i think you could just click.

It click one. And then it's there just open then press like a melody on your keyboard like q w e r. You don't say type yeah okay i love it just test it oh. I could see something cool here turn in and then at the beginning right.

And then and then it would do the the the a producer tag and yo. She saw the beat that us computer. Table is this. Oh oh no no no that's weird no nope nope.

Was. I know what was i know what you're saying give me a minute. Give me a give me a minute. The funnest part of making music is going to presets and stuff.

Like this is the most fun part is finding finding sounds nah. Too hardcore you guys ever get one of those keyboards as a kid like a yamaha keyboard and go through all the sounds every sound. Oh. That's a good beginning.

Like quantum does i like that a lot sorry about that have you heard echo. My bad. I like black's thing is this good no man sorry give me take a minute you change the pack of those these are super. Okay okay can we get a can two synthetic synthetic press.

All press all okay on the left side it it's too um. I want i want to have a little bit of traditional to it a mix between traditional and synthetic you can do that or you can change on the organic chip. Under 808 snare. You see that the second knob.

Yeah. Oh actually the yeah. It's the second knob. You can lower that a bit okay so this would be a good sound without the echo.

Though it's a little too echoey so i don't know when the once when the sounds carry over for too long coming again. That's called reverb. Without the twenty signed and usually you could change go back to the one you like studios is someone you liked again. Cringed or had to be abundant.

It was called please give ableton pro tools or reason attributes this door gets too messy forever driven guitar. I don't i don't mind. That yeah do that for now. Oh.

I like this one. I just want this one. This is funky this one's got a little bit of juice. Ah.

So what now all right just just with it for now. Just stick with it with it yeah and now draw on the board on your right the note understand like visualize the notes well i mean i don't know music for theories. I don't know what the the tempo is you don't really need you don't need me like this is just like like a like a baby can figure this out over time. It's just like blocks like you're finding noises you like and stuff you don't really need theory all that okay now i i i do pattern.

I go sit okay. I think you need theory never mind. She's giving me a chance. This is goofy um.

It's not loud enough christ. Honestly just don't go too intricate for your first beat. You know what i'm saying just go. Simple.

You know what i mean the first b. Go. Simple yeah. Yeah link so like shorten.

The second one just. See. If see. If it sounds better or not no.

The second one on the first one the bottom the d. One yeah. Like you could do stuff like that where you turn it you see what i'm saying. If you had it going over some oh yeah stuff like that that's yep and if you click the magnet tool on the see the magnet on the top top left actually you're fine for now you don't need that okay.

Okay okay. Okay. I'm getting a hold of this hey man. So the down no second.

I'm working here man. I'm at work. I was just in a dead sleep and woke up in a hot sweat. I thought my alarm clock was going off.

But you could go longer a lot let me just try it um. It's something to like wrap it up and like end it you know nope by all that is holy i summon fish molly by that was trash dog get that off the airwaves bro wants to be kanye so bad skull you not can ya lil bro happy cat face xqcl. Yeah just stick with that for now just follow me this is not that bad. It's not about it yeah.

Now what's going on on the board. Right click the back side click. The other one behind. You yes.

No no the arrangement board just right click it all right now click the contract yeah put on there boom isn't it it could be on anywhere. It doesn't have to be on track four. It could be anywhere. But bro this guy goes hard that's sick who left their phone on in class.

The kicks are a little bit too hard the kicks fire bro. Okay. That's two snares understand these are snares okay snares those this is nothing better uh. I think we can do something friends with the kicks a little bit.

But it's fine okay let's put the snares. The snares in every fourth. Okay oh every every uh yeah uh no no no one after that no no one every uh five put one in the first fifth. Yeah.

One there and then the next and the same place next uh like that right there yeah and then delete the other the one behind before two thousand dollars. The first one the first one the third one the third one is uh no no yeah. The one in between that yeah. There you go i don't know if anyone okay.

Yummy sounds. Exactly like my brother okay this is again going hard this is gonna go harder just watch it okay this sounds like a bit like in a bonus. It's in a bonus you get you get you you get three cherries and now you're in a bonus and then it goes okay so now look at the bpm you can change the bpm on the top left. Yeah.

It's a little fast yeah. That is fire on me. So just uh slow it where's play and then and then drag it down the 130 where. Bpm i don't see it 130000.

Very top next to the record. Don't don't move. The small zeros move the yeah. Nokia type beat press play.

Though so you can see here. It's not too bad. It's not too bad okay hold up bro is making slot machine music go go slower. Yeah.

What's up get. Like. 120. It's nice on 120.

Actually. Yeah. Yeah. Yeah.

Yeah. Yeah. It was fun. I'll go.

Let's do pattern. Four. Yeah. So no no make a new pattern pattern.

Five yeah and right click smith bass on the left side under 808 snare right click. It and do clone. Oh yeah. But more oh to get to give it a bridge.

Yeah. We're not making it out the hood or the screen skull um. If you want to make another. Okay.

So high x. Can i sign this to my label records. Let me know uh let me try something okay. I should i show him see on the board double click the pattern four double click.

It that yep and you can move it around well. I'm i mean i would get uh. I would be being the knobs right oh. So what do you want to do here.

Make it less. Okay. Uh press play i'll get the cut off there on filters. See.

If that does anything there for you doesn't do anything at all what about the master one on the bottom left. I i i think you have the wrong you're on the wrong one go to synth bass. Four on the top left. No no move it down move that thing down again.

You're on the new instrument. You cloned okay so click the synth bass. Four there you go uh the left side you look at the actual box. No you're on the same box.

Again. You're on. Yeah click. No no no the left of the no the left of the box.

This yes. Sir yeah. Yeah now move the other one all the way move it away yeah you gonna close it honestly x on it yeah you're fine. Oh my god i died i died try new instruments look at new sounds now what's up click just click new sounds on the presets okay on the presets.

No on the uh on the left on the list. Where you yeah. Okay okay. Okay.

I'll just press play. Yeah. Uh just press. Play.

Though. Let's see how it sounds like with it now. Because you changed. It right.

So. If you press. Play on your song. Oh.

Okay. Yeah. Yeah. Oh.

That hello. I'm under the water. Now you need to make some baits with it you don't have to pause to change the preset. What's up you don't have to pause.

The song to change. It just. You just click. It this one.

This. One. Is groovy. Oh oh okay now we're at the club.

Now. We're at the club. She had a clap instead of a snare. I killed.

Her and i sliced. Her oh chat terry's a guy. His name is eric. And he's more than a dank that is the thing no cap on a stack you guys see this genius in the works this this that cleaned up super hard too.

It's gonna be stuck in everyone's head now okay okay. This is actually really fun though this goes hard in the special ed class. Bro bro bro. I could do this all day.

I could do this all day okay hold up okay so okay so if you feel the pitch it it'll it'll tame it right or it'll hide it okay. So first yeah let's see what you're saying press. Yeah. Yeah.

Select tool and now grab all those honestly you can just hold ctrl go back to go back to the brush. Yeah go back to the brush yep you go. And then you hold control you drag off all of them. Yeah.

You know what now you can just change. No. No no press play remember it starts at a6. So now move the first note now move the first yeah drag it while you're pressing play.

While you have well what's happening. What's happening with it you're just changing the timing. If you move back to the left yeah. Also this is the story.

This is the only the out of me uh is this is this the right one. It is a new instrument. You had a better one. I swear yeah.

I did shut them down. No. No it's cursed now okay. Now if you just hold control down arrow.

One time you go down a whole octave. Okay let's select. The body just right click. That one no you did so select.

Them all yeah. Oh that is and then control down arrow. One time. Yes.

He did the favorite sentence down an octave with the same notes. If you had played this now. If you do shift this up if it goes up one years ago. They would have stoned you or down.

So you want to go back to a6. Which hey all the way up bro you're in you're in six. Where are you going let's see what i don't see a you're an f. See how the first note.

Says f. See the c is there is just the bass. There's no there's nothing on the screen. Where no we went down one time moving down.

One more time. You're on g. You're on f hash tag. You see that f sharp ah g.

You're f f. So it's a scale you know that you know how it works right the basic scale right. Ah. The one you don't know how the basic notes.

Start right. Like. C. A.

B. C. D. Oh.

I don't know for music. There.'s a. Oh. You never learned that my abc.

Yeah no no no no no no no no they're heading to the circus. Oh. There's a baseball game. You should know the very.

Basic. Uh. Music. Notes.

Oh yes um. It's like it's like a dirt crush. Something like that in english. We have doremi faso.

But it's like uh it starts at c see no look but keep it there and then click on c. Keep it right click there just let go put one note on c. Yep. Right now drag.

It up. One. Note. At a.

Time. C. C. Uh.

C. Squared. D. D.

Squared. E. See. How it goes.

Yeah. Yeah. Those are the notes. That's the order.

And it goes higher to lower in pitch okay. So what do you what do you typically want to be at you don't there's no typically want to be at there's what sounds good to what you're trying to make there's majors. And there's minor notes like minor sounds different and to major like you if you learn the difference between between major and minor it's like uh. What what is it like that it sounds like a popcorn.

Oh. It's like i think it went too low. You're just going too low to be different. I make a new pattern open the same clone.

The box go to that one open. The panel up and then fix this this panel and then that particular note would feel different even though it's it's in the same. It's on the same time variety sorry so you're saying you want to make okay. So you want to do i know you're saying just uh go back to go back to the right uh thing.

Behind you yeah you want that note. There right just making music control anytime. It's like a jam remote in order to describe it i don't i don't like it okay delete. It okay okay and now you're gonna go a new pattern new pattern uh.

But we didn't really use synthetic number two yeah. It's fine that's what you wanted didn't you want to say you wanted to go to a new sound. No no no no no but i learned it i earned it so now i get it now again is what i would do if i would if i if i would uh. I want to have i want to have all this but i want this note that i just put in to be different than the ones that just that one be different.

I could just clone. The board right i could explain the board or or the preset and then open the new flex fix and then just slam the layer in and put it sometimes off and it would layer it right it would it would be in it yeah. It would yes okay that makes sense yeah. But why exactly would you for a different kind of like well let's say i want one note nothing go in i want to go i want to go right.

I'm going to try something great i'm going to show you something now. I'm going to do the next level step for you okay. I think is this good if your chat's gonna love this too because they're gonna learn side chaining this is big this is big okay this is big okay so so let's go to pattern. Five.

Oh. Yeah. Uh make a new pattern. Make it a whole new pattern.

Yeah. And now go to a synth bass. Four whatever all right let's make it oh. I don't see juicer.

It's not that it didn't work out since base four or whatever. This uh. Did you just make juicer. Yeah.

Okay. You're there you're fine go to go do. Since base. Four.

Now synth bass. Four now synthetic on the rack on the rack. Yeah on the bottom of the rack. There you go yep.

No we already have now. It's fine. Yeah we're good so now let's just make like a i'm gonna teach you side chaining okay so like let's get like a like a one long note actually draw a note and see uh just in c. Uh f4.

C5. One long note in c5. Excuse me this is the dance stop. But this music is so bad my death.

I think it will open his eyes to what the channels. Do and stuff like that you could tell from the vibe. Should i not show him now should i not show him this stuff check let's do it just do it. It is it's going to be it maybe.

It's just maybe something amazing go ahead. Something will click from it so. Let's put one so uh. Let's see on the the rack.

Let's just mute odd horn. Man put the yellow dot on the very left of it let's just mute that one on yeah no click the yellow dot. Yo. Dot.

Yellow dot. This like that over here. Yeah. Yeah.

Yeah. Yeah boom yeah. It's muted. Now put.

The put. The note. Longer. Or you i'm i'm color blind.

It looks. The other one short bus type b. Okay. So yeah just make it fill it up to the end there wait wait.

But it's playing the one at the top. Though. Oh yeah. Because you wrote it in the other one uh.

Delete. It there. And then and then crush that right x. That and then right click synth base.

Four now and then put it in or uh. See. In the piano roll the top of that box here. Yeah.

Yeah. You guys do that now. It's like piano roll. There yep now put one uh.

C5. Just a long note. Yeah. You want let's get one that goes like like again.

I mean. It's not working when it's just bugging out it's because you're playing it halfway through the note. That's the play in the beginning of the note for it to on playback so drag that end of that line to the end uh on the the note like make. The note long.

It's really loud. Oh. I like that okay let me do it you want to drag. Still.

I'm going to do only do what we do just make it uh to the second line. The third line you see that like make it a little shorter. You made it too long just scroll wheel and mouse down. So you could uh or uh.

Control and mouse wheel down. Yeah. Yeah make it not yeah. No at the end of the other line to your right there.

Okay. Now go back to the arrangement board. Yeah behind it yeah and draw it in there. On track.

Five. Now press. Song play. Oh.

You know yeah. Yeah. You notice you're noticing. How it's it's it's longer than the other ones right.

So. Control click. The first three control. Oh yeah.

Uh select and then hold shift and then click them and move it to the right uh. Yeah. No no no no no put it back size. Now hold shift and click inside of them and move it to uh right.

It it clones. It you see that yeah. Yeah do that perfectly right next to the door. Oh and then it'll change.

It yeah. Okay. I want to know i want the note to feel more like it's being stretched at the end like i'm stressed. How long before dj.

Toenail releases or the note. The note is being is being pulled almost like a like a goo like a goo you would want it to be like halfway instead of uh uh that long and then you're not gonna really get one not nothing start at 100 and and that's zero. Well okay over there here we go like that how would i do that uh. I know how to do it with like samples.

But that says fade out is there is this is it here somewhere. I i don't you can make an automation on the mixer. It's that cha i would make automation on the mixer. But how would chat do this because like making an automation for a synth.

The synth itself is kind of like dank right. It's probably really easy automate cutoff automate cut off there's so many ways to do it. But i don't like the way. I know how to do it is way too dank that's why i use the better way to do it.

It says use the d on the envelope. What's that d on the envelope hello okay. I mean automatically try this try this go back on the arrangement yeah double click pattern stick. Yeah.

Yeah and half in it make it half the size uh just press the note one time on your keyboard. See what it sounds like okay now uh open the sound you want to add some reverb to that so let's uh. See that on the bottom uh go back to the sound here. See reverb on the middle.

Add a lot to that add more on the mix envelopes. Oh no okay okay uh reverb. So you if you if you change. The dk.

The dk goes like the the ending. It's like the like the if you if you made a high decay. You go if you have low decay. So that's dk what raise it to the max.

See what it looks like not okay. It's this is like a glass. I don't want that i wanted to go oh i think you changed it that's why you clicked music box go back to all and go and go back to whatever. It was i think uh uh.

What was it bro 31 months with the juice award. But all now sooner recently chat not this man synth strings. One two it's not even in order bro. It was that one.

I think it was in strings. Once anymore right yeah. Yeah. It was right so.

It's editing. Too fast put it back up. Yeah. Okay.

So try raising the dk. See. If it. Goes.

The. D. Oh. Release.

Change. The release. The. R.

The r. R. Is released. Ck.

Okay. You lower it it's letting it go too fast lower it try lowering it guys cause. It's not too fast okay add okay so make the release a little bit higher and add reverb add the mix on reverb to like uh on the bottom on the bottom. You see mix on reverb put it like 70 instead of like yeah put it higher no.

But look it's the reverb. It's what you want is rebirth there so that's i'm getting there. I'm getting there i okay i'm getting that again it's stretching it decided be less. I want to release a better sooner.

Though i will do it sooner and not as loud the k. I can't remember it goes too hard a little bit early it's a little overwhelming that's the uh that's the initial um. What's the initial attack. The a the a it's attack attack is the initial thing that comes in much better.

Yeah okay so now you're learning envelopes you're learning uh. The basic filter envelopes you understand what attack does what decay does okay sustain release let's put these in channels. Now okay okay so let's go to kick on the top left the kick. If it's saved in my juicer right now if i play song cat jam.

Let me make. This. A minute. Oh yeah.

And and they can do wow. Wow. Wow. Wow.

But yeah. You see it you see. It. And.

Then you can make it big. And then gradually croissant compact. Well. Well wow.

Okay. We got some claps today. So now okay okay yeah. You know what i'm gonna show you something some uh simple stuff.

And then it's a really weird end okay. So let's um let's just save this okay file top left and just save as save as this starter b. I'm just gonna i'm gonna be getting some uh yes. It's fine maybe.

This is a normal beat. Just your first beat name your first beat. Okay okay. So now let's put these kicks.

Let's put these kicks into channels and right so like 808 click. Uh kick on the top left click. It yeah uh now double click that to make it big the thing that popped up in the middle. Yeah.

It's yeah make that big double click. It okay now it's on track. One that's good double click traffic is a producer for ten years. This is poor entertainment.

Oh. My god we're gonna do it no just go back on the kick on left side. Yeah. Yeah.

Yeah. And see the number one on the on the on the top. Right. The number one track double click.

That oh my god okay now press play on the beat. Cats. Cats and boots your first four. Uh samples are in one.

Two three four already. Okay. So your snare is in in in track. Four.

Your hi hats. And three right. And your kicks. In one.

Okay. Now you want to put let's put your synth strings on five so click since strings. One on the rack on the rack. Yeah.

That's the rack right there boom. Do you think what last one click the last one yeah yep now uh click the click the little gear box top left side yeah and put it to track six move up to track six. Then now what all right now uh now go back to the mixer and press play look at the mixer. Like okay.

Yeah. See and now it's in there right you see it in there on on six you see how the waves the sound. It's in there. You put the you put the synth in there okay.

Okay. Oh. This is gonna be dank. Actually do i even do the do i even do the uh.

I feel like maybe next time i teach you the uh. The man man what what dude. I the odd horn man dude. Just leave it leave it there just leave it there for now okay geez just follow my steps this could be dank.

This would be too much. But it'll work press play. It's gonna make it sound sick go to insert one on the mixer on the mixer. That you opened uh insert one this yeah go there on the right side you see slot.

One hold up slot. One on the right side. Yeah. Let's add fruity peak controller press.

A little arrow. You want to add fruity peak. Controller fruity fruity. Got it uh now click now you see insert six insert one mixer on the mixer.

You see insert six yeah. It yeah now move your mouse a little down you see the the audio slider. Yeah. No more down the other slider that one yeah you right click that and then you do a link to controller right.

Yeah. Yeah. Now uh do um. You see the let me.

See controller uh. It'd be on channel. One right slot. One internal controller you see none on the bottom.

And the middle part of it in the middle part of it uh none yeah change it to uh peak. Just the peak. One yeah just peek the middle the middle peak yep and then on input you want to go on the right side on the on the input formula. Do inverted.

Oh. Where did you close that oh i got it i got it. Oh no i'm doing another one. Now.

This is this is too dank and you're not going to understand this now. But you'll click in your head for what could happen what you could do with things okay you know what i'm saying this is going to show you what yeah about like chad. What's it gone. How's it going just right click okay right click track six uh insert six the same thing.

And do lengthy controller right click yeah right click again. And then do a link to controller and then people no no no no close that close that close that you you click the wrong thing this one over here one yeah you click make sure you click the slider on insert six the slider thingy and yeah link to controller uh do internal controller peak mapping formula inverted knife yeah on the right side of the mapping formula you click uh like the little arrow under that under that yeah and then you do inverted and then do uh change. The first number the one to zero point eight. I don't see it where wait you're right oh.

No he wrecked the uh. Did you see the insert one volume can you change that to no you have to right click the six again so did you reset that don't respond close that close that on six yeah on insert six the the volume. There. Yeah yeah.

So i had it i had it early then. It's okay. I mean i mean repetition is learning you know so do me doing it again actually again i. Again you knew how to did.

It fast which is good and. 08 and take away. 08 in the. See the one dash.

Input erase the one and put. 08 like that yep 08. Enter. And accept yep feels good.

Man. Clap uh. Now press reverse play okay. So now now it if you test it uh.

Go to master go to insert one and see how the peak controller is on on the right side. See how the yellow line. The yellow light this uh. Let me see the delay.

The right side. Very right side. No. No the very right side.

Oh yeah. If you turn it off listen to what it sounds like off. Do you notice. It or no i won't see if you have the ear for it i don't know what i'm looking for okay.

So every time the kick is coming in it's lowering the audio of the synth. Why people happy does that make sense pointing finger. Oh yeah. Yeah.

So it's giving it it's getting uh. Primarily. It's a priority. So this is like the main.

This is the main sauce for every like house music. You know what i mean. This is the sauce right there he wanna be carty so bad call sidechaining. I know this is way too dang people can be like why the hell.

I'm teaching this it's just to show you what you can do with stuff. Okay otherwise. It's like this right bang. And then when the kid comes in and say bang bang bang.

But what this is doing is doing this to get more audio. So that so you can hit the kick more through like this okay. Yeah okay so if you go on the front. The big controller itself and raise the volume on the p controller itself.

You can see the difference. More like click. The peak controller and raise volume on that i think oh yeah. I see it it doing.

That bing. Bong. So like house music. Like this is the sauce right there.

You don't say like oh yeah. And it it's doing it. Too it's not it's nice oh and 08. Is the ratio.

Which before it kicks. In one of one would be winning kicks right is just before yes. I learned that from dead mouse and that changed my life ever since then what's the amount that was the ratio. If you listen to any of the songs you hear sidetraining.

He he was like the godfather of it uh uh razor weapon or i remember i remember well that would have been he's not the godfather. But he taught me look i hear it okay yeah. These small things if you know all these little things it adds up in the end for sure you can you can enjoy the sound. You're looking for more in the places.

Where you want them and you don't get the uh you know you don't get like the the the garbage. The fluff okay now what uh what do you want to do next. What do you want to do with it well. I don't know i mean well let me put some vocals.

I think you need to reset your pc and like that synthesizer uh. It's insane. Honestly. I think the next step for you is like off stream.

Just watch a random tutorial you know what i'm saying yeah. Like i think i think you did amazing today. I'm no cap. I think you did so good already yes.

This is actually fun. Though i think upstream. I want to get a good uh piano melody with a nice um. What what a good preset that i like because i want to go and i want to go and uh favorites.

A bunch of them you know i can send you some later. I can send you some like uh. Some you know i'm saying. Some sauce.

Yeah. Yeah hold on some samples. And this okay. Even though.

I can do it myself. Now uh out of this bing bong and now we're going back to this. But instead i could just go to here go to all i can change the actual thing and give it violence at it okay. But that was a mile now.

I was a mile now and i didn't have you to help me and i this this this noise. We can we can filter it we can make it sound better right so i can add reverb increase the size and lower the the decay. Either razer mix to begin with on the reverb. Oh reverb.

Is too much. I wanted to die. Sooner. But reverb.

Okay. Okay. Oh. Oh.

Wait you did you hear the side chain. Though yeah. Turn off your turn off the side turn it off dude turn off this it's getting so much room to breathe. It turns out so you can see what it sounds like yeah hold up i'm gonna might chat doubting.

My uh no you're on the wrong thing you do the thing uh uh track. One track one insert one insert one insert insert one on the track on the master on the master on the master. Maybe you have to scroll a little bit to the left you scroll uh yeah on the master oh no sorry sorry the mixer yeah insert one you're gonna insert one next to the next to master yeah now you're just gonna actually click uh turn it on and oh my god you can't even you can't hear it then no because no just turn it on yeah. But turn on and uh uh click.

The fruity peak controller itself click. It and raise the volume on the second thing and lower the volume left side. Yeah lower or higher higher higher is like more uh. You hear that wait now a thousand it doesn't sound cool though though yeah.

But it with it it's gonna get some fog it has a fog to it you see the fog click click pattern three also let's let's change the snare to the clap because i think a clap would sound better with this the clap yeah you go so go to pattern three double click on track three on the on the right ah no no no just uh now double click the three so you can have it but i remember that remove the app. No no it's fine. It's fine now click the one next to it so you have it selected left click. The one yeah left click down now you have it selected you don't have to shift click.

It if you have it left click selected you can just right click. And it'll put it there or you know what i mean or left click whatever so now double click. It double click it to edit. It now change the snare to the clap on the left side on the right on the rack.

Change the snare to the clap or actually layer it so you add the snare and the clap together. See what it sounds like so uh. It's the second bar on the side. The second line.

The dots. This yeah. Yeah so put uh copy. The snare copy.

The snare. Yeah. So put the same places you have the snare underneath. So you sink it like that yeah hear that okay okay i'm gonna these clubs are very aggressive.

Though like these are yes they're so aggressive. Yeah they're they're so hardcore well let's hey let's edit that a bit actually. So yeah. Yeah let's do it yeah.

Yeah. Let's mute. The snare and my little brother said holy now click clap the clap click. It yeah go to the second thing envelope uh this oh sorry the the little second button in the top left.

Sorry sorry habibi. This one yeah. Yeah now let's drag the attack. All the way down.

Yeah. For sure. Oh i can't no no no no yeah drag the attack. All the way down.

Yeah drag down. And the release all the way down. Yeah. Now right click the now let's go back to the top left announcement on the 808 club right input.

Piano roll. Yeah. Now now you're going to see zoom in a little bit. Now press play.

I think you are ready to sound designer kick from scratch and serum still high pitched. No just uh. Oh okay okay now click the click the top left. Again top left of the where i made you click that yeah no just try changing the pitch.

Yeah uh see if that does anything for you maybe like 400 let's delete the piano roll and put it in yourself manually. Because you can let's cut off the ending part where it sounds like more yeah just put back to normal put it back to normal pitch. Yep. Now delete those uh.

The notes and put the note in yourself right click oh. Because it's all it's kicks are also piano the kicks. Yeah. The kicks just delete that and draw it in yourself just draw it in the same place same place.

The one where it was under okay. Yeah and drag them out make them. Yeah. The length of it is the yeah drag it make it make it stretch it out how rid of it wait how do you make it a normal note.

What is this it's like a new thing for me how do you make it like a normal sized note. Let's zoom in mouse wheel. In nope. Yeah.

You had it yet not it yeah. It's on the very right side you had it on the very right side of the note. You had the eight you had the shot all right yeah. Do the same thing now do the other one move the right one left click the left one yeah delete that one with right click now now left click the left the left one to select it right now we'll go back to the right spot and put it there again with left click put to the right spot again with left click now does that make sense no i guess there you go see how you see we did now control select them and alt drag.

The right side. Oh. All the way to the right. Like this.

No. No. No ctrl z. Control z.

One time. Oh put it draw them back to where. It was what you want to do is change. The length of the note with alt.

So there's no like restrictions. Oh and the the the length of the the hear the snare. The difference. Yeah.

I do maybe no no no the pitch a little bit. Now yeah. It's it it's kind of killing it though it's killing it hold up it's um. It's it's muffling.

It's just because of that. That clap is actually trash that clap. Is. Just.

Oh yeah. Oh. The sound can be stretched. Or because.

It's actually just bad. Yeah. Sometimes you could sometimes you could manipulate a sound to make it sound cool. But just this clap itself just sounds like trash.

It's kind of like it's kind of like cropping from 4k or coming from from 1080p you're going to get you're going to you're going to have lots of how to quality the sample a little bit you know what i'm saying like a little bit. But but let's just try layering that with the other one so turn on the other scenario. Wait the other snare is on uh you just need to get a drum kit like i could i could send you one now. But i'm i'm i'm i'm i'm i'm i'm enjoying something.

I'm gonna do one and a half one and a half and then i'm gonna do what's that time. No don't touch that length knob. I can feel the adhd kicking. You know no no no no pepe laughs tl buster.

It's better. It's better. I i i think i think it's getting there slowly. Where i wanted to be um.

This this why what did you do here on discord. I uploaded a pack of drums for you if you want it okay drums cakes and everything in it i don't know if you want it yeah of course you want to do that yeah okay okay uh where where where's my line where's my line my career. My curve. I had a curve earlier remember what do you mean ah okay.

Now now if i add the whole thing. Now. I mean the cla. The claps are way better they're less aggressive now that sounds cooler now actually sounds pretty clean.

It's much cleaner okay good okay you see how we manipulated that one ugly clap. Yeah. Yeah. It worked yeah we really right that's pretty cool right actually the chad.

The club sounds clean can i say no cap okay okay actually how's that okay fun okay this guy says uh violin um. Yeah. The advice that's kind of weird yeah. But i mean it it's just learning the big curves.

So i i you know i can do whatever i want afterwards as long as i learn it yeah this sounds pretty decent. This beat sounds sick already sounds like a beginning of like a song you can make it progressive towards. Where we add like a like a like a crazy piano rift at one point. And we start letting that in it.

And we pack. It late boom boom and then and at one point. We get we give one taste. You know we give a candy under the candy at the end you jump back and go like the whole thing is jam packed at the same time with the ending with the vocals.

Know what oh yeah you drunk it i have it now what to do with it uh now wait hold on i'm going to type i just drag it in the program put it on a folder somewhere extract it somewhere on your computer. Yeah ah like a music or something extract all or here. Pep. Page.

All of them just put somewhere put. Like a your music folder like just put. Like okay. In your folder.

Um music. Yes. Just. Make.

A simple folder for all your for all your samples to be in and like this and i'll go like this and i'll go extract it like this okay just hey father guys my plug make the melody bra now do this i have a bunch of plugs. What to do with this okay. So now uh okay so now on fl studio. Yeah.

Can't wait to go cdj toenail back chest. Go to let me. See where it is options yeah on the top left file. Yeah browse uh browser extra search folders you see that add the folder that you made on the bottom middle part.

So it will pop up on the left side of the screen actually not there yet. I've never asked before but could i potentially get away with the lipstick qcl. But then music moses this like folder. No no just like the folder muses itself.

Not the no no it's like the mu. The muses folder. Not the not that one so that way anything you put in uses will be in here. You feel me just.

Like. That yes. Yes. Sir.

The whole thing. Okay. Yes. Yes.

I promise. You boom. Now. On the left.

Side. You just. See. Muses.

Yeah. Yeah. There's should be some stuff in there. So i could do the same thing.

I did with the claps for these ones right if i sound if i get a sound that i kind of like i can extend it muffle it shrink it pitch it yeah. But it's like oh i just want to keep 8008. It's usually 808 so those are like for rap beats trap. Beats you know i mean that's the stuff 808s are the jungler boom.

The the is the base for for rapies they're so long. I don't like that you can change it with the with the you know what i'm saying with the release. And all that stuff go to claps. Oh yeah.

Yeah. This one right 31 months love you boo oh okay. This is like uh this this pack is more for trap beats though i don't have i could i'm gonna send you more okay. I'm gonna give you these are quick and it's way too crisp.

They're so crisp see i like i like the crisp claps when they're too crisp. They're annoying they get they're kind of annoying you lose it loses purity. No because it feels like the the nice part is condensed. It's condensed like that's too fast see it feels like this part.

This is it there's a lot going on in that small amount of time it's like uh. I don't like that i'm not big fan of that okay two years absolute pogba's moment. Pogba pogba pogba pogba pogba's xqcl just refund. It can i just slam dash.

It in or what there's more files than this if there's anything in there patterns open me to the jungle. Okay. Yes and on seven uh. Why isn't i here why is there another okay and instead we're gonna have um.

We're gonna get the bam. The 808's in this one so let's see and we're gonna do it late wow. We okay and then we're gonna skrill x. Here check your dms.

It's not working is it okay i get it i get it it's going to it's early it's going too late. Oh this one it goes hard no it's more it's more deep. Though it feels it feels deeper it fits it doesn't fit then if you listen to a deep house like that look like deep house. If you agree i i would i would make it not as uh vibration.

But a little bit longer and it would it would fall. It would follow the piano notes that i have on fire. So. I i book no right.

I would go boom. Open. My piano roll no open that up ass okay. Length.

Is good x. You can get rid of the crisp sound in the clap by ecking the frequency tell poke to teach you how your few sounds nope wait a little bit better hi. I had to open. The panel that we had earlier.

I got the long about the long thing with the cannot with the snobs. We go to um. We go to what we go to what can you add flex to the 808s. Sorry uh.

What add flex to the 808s. You can't oh. Now what are you trying to change. Sis are you doing this do you like this or not you like it is you say it you like it or not you like the oldies or not i'm listening i like that yeah so it's like deep house.

But i want i want the boom to be less less aggressive in the vibration. But a little bit longer so so it you're gonna feel the depth of it but without too much aggressiveness okay try uh try this actually put try making the base put the base on six channel six based on six just on six see what happens so i change the base uh. Okay okay i have to do that i go i go to my my main battle. Hey.

Baldwin yeah. And then and then i if remember so click. The hate father thing on the on the rack. Yeah wait.

It's using the same fruity pebble to introduce that one so it's letting it it's giving it some more spicy that one too right they're both glowing. So the synth and the base is going the same rack right now. Usually you don't want to do that. But it's okay for now what i'm saying okay so i can jam in in my fruity right my fruities.

I can use it for multiple layers at the same time yes right click. The hateful thing. The right click. The left side.

The warehouse beacon right click on the yeah. And put cut cut make sure cut itself is on yeah. So that makes it so when if you play the uh thing twice really fast it won't cut over each other okay so not harmony. But right click.

It and do try making like a little bass line with it now what's the baseline. So right click. It and do the piano roll and put like one like one note way after. But not too much when you hit that one so.

Oh okay okay. Okay. Yeah. Let's first click.

The hateful thing again like where you did. The track number or whatever. It's up there. I i barely had enable it cut itself now it's enabled.

What do you think now uh go back to words like the envelope thing on this on the hateful thing where we did like the clap release. It's on the delete that so uh on c5 on the note. Just uh. Put your own note.

Not the basic note. Yeah yeah. Stretch. It out okay okay.

So just just have an idea what it's doing i'm gonna is there any difference a little more like make it shorter and add a lot more like yeah. Oh. Like that oh. It's kind shorten.

The first note uh. The first notes cutting into the other one i like that try it though. See what it sounds like without it though okay okay yeah. It's clear you i think you put it in front of it.

It's cleaner go up higher note. Though next one higher no i mean. But the next higher little right after the other one and then put it higher that's too early nope. I don't get it i don't know what you mean by that you're making a bill.

The base melody right now lower oh i guess then lower beat. You don't want them to overlap each other okay okay okay yeah. It makes that make sense it gets muddy if it's over overlaps each other and also too low on 808 it gets some too muddy you hear that it's it's muddy yeah. There's 808 so usually you don't want to get too low.

With that hey i'm trying stuff scroll. Hey. Felix. I'm a producer.

I can send you a project file to play around with if you like it's not overlapping. It's not for me. So is it condensing it or is it cutting it off. What is it doing here.

But by making the key smaller is it condensing. It is what is it doing is it cutting. It is it stopping it in its tracks. Oh no yeah so it's it's it's killing in its tracks.

That's what it's doing right so yeah so having it go. It's not letting it finish. That's good that is really good. That's way better give me a welcome back to the jungle pls.

I want you daddy gorilla wait wait. It's not um. I like that better it's good though okay now what it's not it's overlapping. It's it's cutting it off too close high smile is there more files than that thing.

I sent you no i i like that that it's going straight. I like i like that it's going into it it's giving it it's giving it more v. It's giving more vibe. It's giving it more more no i like that i like that i like that i don't give a about music or some.

I don't give a. I think this sounds really good okay so keep it like that then let's go back to the arrangement right look at that let's look at the arrangement board. You have yeah. Uh yeah.

Let's delete the pattern. Four that does that what is that actually oh that that i mean that was uh the planner you mean or man. Right you wanna you wanna keep that going uh. No wait okay we'll keep it there for no.

Just why didn't i need it that was this no no no we can kill it um delete dude look at the difference of how good you got compared to that yeah okay. That that was not that was not right that way. We think we could get rid of that all right so let's like extend this i might make it longer. So we could be more creative with it start adding more stuff in know what i mean so it's like control select.

Everything and just yeah. And just clone. It shift. Once and then like this and then and then you can do that again do the control click again to make it i mean you're like this and then like that yeah well now you're not you're you're you're uneven.

Because you copied a three. So now you have six remember relative like music formula. It's like two or four right. No i don't know what that means so like you have you see how you copy three right.

There. That's it goes one two three four you you go you stop at the one two three one two three you understand i mean you could do that but now you have to delete one last. One one last pair so like that two yeah. The last two yeah delete the last two for it to be even you feel me some because if you had if you had the two extra and you started adding stuff to it it wouldn't be on the whatever.

It will make sense. No this makes sense i get it okay okay now how do we get how do we give it a funk after like three repetitions or two how what do you do copy this one more time to make it view control select. It let's just select this whole thing. And and do with this one yeah all right now.

Let's add a new sound go to yeah. After that we get it again so something will come in after a. While you know what i mean so yeah pattern four uh make a new one on you know what i mean make a new pattern. Yeah and pattern.

Let's just use just make a new one make a new one let's um make let's let's just do new create new uh uh. What do i put it i'm gonna put at the bottom. I'm gonna put on the bottom. It doesn't matter where it is and then now let's do the add top left and make a new sound.

Let's get a new synth in there um. I didn't use to add uh well a lot of other ones like there's like harmor. There's citrus. There's the one that you had though was pretty good though flex is pretty cool maybe you can find sound and flex.

There's like mega programs. You could get though like plugins that are like thousands of dollars at 808 slide from octave to octave what does that mean you should get wait is this something add 808 slide from octane's octave. What is it slider uh. So if you put like uh okay.

I show you really fast guys. What is it that's right you don't need that right now octave that's like a a slide note. You don't need that poke doesn't i don't know. It's the it's the on piano roll.

It's the top thingy. It slides into the next note. If you want yeah yeah. I get that uh.

Even do you want to learn no do that it's it's like kind of corny right now. It's like you don't really need that no it's like drill base if i want that sound. I'll ask and you know you know you know what to teach me right yeah. If i want that you'll know what i'm looking for so basically like this.

Let's say you put some notes right because right yeah. If you were to put the octave sliders. It would go and right there oh it bridges them together. Yeah.

You put the slider in between it wouldn't go. Oh yeah. So basically it it'll take it it'll take a sound. There like that and it'll slide to it so in between those the in between them you put like a a uh octave slider.

Okay. Let's go yo. You made a song really let me hear it oh man dude. Well let me hear man yeah.

I i feel like it's not it's not going to enter my time. It's not getting into my time. But i i i guess basic music theory would i i would i would know not to do this it's it's not it's not it's it's clunky. It's not getting at the right time.

It's the timing is off okay try this look once you go from one rep to the other one it doesn't feel like it's it's going into it he's already using flex. Yeah. Damn that took me like three months. I mean dude yeah you either just thought it's like i'm just pressing buttons like a monkey.

But i taught how to do side chaining already i suck with side chaining side chaining. Yeah that right wha. What the what what the fruity pebbles. The fruity uh controller.

Okay um. Okay so how much does something let's let's do something crazy go ahead. What do you do with it. So you want to start something.

So. Let's make a new a new synth. Something that comes in on that right yeah yeah. On the rep from from eight right.

You'll need that i don't know what you just dragged. I don't know why you tried that thing why i like doing that is it bad doing that no dragging the pattern into the rack. It doesn't do anything. Oh okay maybe yeah save it fire uh you save your beat.

No. That's number two you want that yes. Like that yeah okay so add it and uh. Yeah.

Try try uh let's try sakura. Okay. Add sakura make a new pattern. Add add sakura.

I don't see a set cool. I don't see it since special last. One almost bruh second bar. Second uh bro.

One two got. It sakura. Yeah. Oh.

My oh no my god. There's more knobs. More knobs man. No.

But you're not actually touching the knobs dude. It's there's always more knobs dude. It's more knobs always one click away one more click. 17.

More knobs one click 60 more knobs and there's knobs for the knobs knobs on the bottom music you're going to appreciate that there is the knobs yeah. I'm already like i don't need the knobs. Yeah. If it wasn't there then it would everyone sound like the same knobs are pog man.

Yeah right now i can only understand two layers of of knobs. But it's okay what do i do with the sakura. What is this let's try to find a sound let's just go through the sounds and find something that will go there you're going to introduce this new sound after in this beat. You know what i'm saying game um.

String four years. How do i play it the same way you would play on the keyboard. You know what i mean to the q w e. Yards.

Around huh yes just click queue. No absolutely not um maybe this program is like two yeah. Maybe this one doesn't have enough sounds for him go to fl. I mean i feel like flexi would find something right.

Oh yo. What's going on a harvard. Easy flame and this is not this ain't no harm you you wanted to go down. You know he's a he needs to a basic ass move right now that'll be really good.

It's an arp arpeggio right chat. Yeah exactly a good arpeggio synth. So yeah. Yeah you want to find like a sync with a sequence.

Note. So i don't think. It has it in here. So let's try let's try um let's try something else let's try uh.

Which one has more sequences. You know what your next person yeah close that close that close that you need to open citrus uh. Oh. You're teaching them citrix add and then i would get i go to citrus right somehow.

An s with an s. Citrus. Okay. Okay.

Oh. My god obviously look at the top. Left. Gta.

Where do you change your presets here on the top left the top left. It does look like the gt. It does the top left little arrow next to the gear. You wanna do that and go to presets top left arrow next to the gear.

Execute you are having a good day. Mr. Cow yep yep presets and then do you like uh arp. The first arp the very first arp one there and then and then just go through those.

And if you want to go next. Sound uh. The presets in the top right arrow. Oh.

So we're